…Roland (Director) y Emmerich, Roland y Gordon, Mark (Productores) (2004). The Day After Tomorrow [Película]. Estados Unidos: Centropolis Entertainment / Lions Gate Films / Mark Gordon Company. Fischer, Henry W….
The cathegories of dystopia: a reflexive proporsal from a sociological imagination approach. Andy Eric Castillo Patton Universidad Complutense de Madrid (UCM) aecastillopatton@ucm.es Recibido: 05/03/2021 / Aceptado: 15/03/2021 Descarga Resumen. …
…possible when he was off duty, and that of course brilliantly supports the uncomfortable and compelling juxtaposition of Nazi Monster with All-American Family Man (Tyranny of Style, 2021, parr. 28)….
…a dystopia ‒as a reality of domination, absence of freedoms and denial of life‒. Throughout the plot of Stranger Things, it becomes clear that it is not a static dystopia…
…texto. Una contraposición que también comparte Camporesi (2016), quien entiende cómo Truffaut expone por un lado a los libros como garantes de libertad y a la televisión, por otro, como…
…in opposition to a more rational and complex social order that is articulated on the suppression and containment of specific violent tendencies and on the condemnation of sexual violence. Instead,…
…su ya clásica teorización sobre las sociedades posmodernas. Pero, como hemos señalado, se plantea como un peligro positivo (la crisis tiende a presentarse como oportunidad, más que como pérdida, como…
…of neoliberal capitalism, Joker (2019) by Todd Philips and Oxygène (2021) by Alexandre Aja, made before and after the outbreak of the COVID pandemic. We will focus in our study…
…ante lo fatídico. Palabras clave Estudios Culturales, Distopía, Filosofía Moral, Suicidio. Abstract The phenomenon of suicide, especially from a contemporary point of view, warns of salient problematisations of the (post)industrial…
…was not the case at the end of the 20th century, due to the gap between the conception of auteur cinema and commercial cinema. Keywords. Cinema aesthetics; Film análisis; Dystopia;…